Showing posts with label Ballet Arizona. Show all posts
Showing posts with label Ballet Arizona. Show all posts

Monday, December 10, 2007

Review of Ballet Arizona The Nutcracker


Review of Ballet Arizona The Nutcracker
By LeeAnn Sharpe

It has been a holiday tradition to go see the Nutcracker. So year after year I go and enjoy it immensely. This year was extra special. I was privileged to introduce my niece Stephanie to her first ballet and what is more perfect for a young girl than the Nutcracker.

Opening night was cold and rain made driving treacherous. Downtown traffic was in gridlock as every venue seemed to have major events. Parking seemed impossible and we found what may have been the last parking spot in the city! The downtown was sparkling with colors and lights reflected in the rain, limos and cabs unloaded gloriously garbed men and women along with young boys and girls in party dresses and suits. Umbrellas bumped as the crowds moved briskly to various destinations. Honks and traffic cops whistles above the traffic noise completed the picture of a big city at full throttle. You could as easily been in London or New York. Phoenix has truly become a big city, although perhaps on a smaller scale.

But the scale of this production of the Nutcracker is anything but small. A spectacular world is created with such beauty and imagination it brings tears to the eye. The mastery of design and execution is flawless. From director to dancers this production is the finest that can be found anywhere in the world.

Ib Andersen has once again chosen a team of top designers from throughout the theater world to create a magical, grand-scale Nutcracker exploding with holiday charm and wonder. Choreographed by Ib Andersen , Set Design by Carey Wong and Ib Andersen, Costume Design by Fabio Toblini, and Lighting Design by Michael Korsch, the best found anywhere.

The lavish new sets and magnificent costumes from around the world make this magical holiday event such a joy. And the talent of these dancers is so incredible to watch. The leaps and lifts and twirls make your head spin.

The costumes of Herr and Frau von Stahlbaum and their children, Clara and Fritz and their party guests are more realistic of German families of the era. They provide a stronger contrast with the colorful costumes of Clara’s dreams. There are 260 costumes in The Nutcracker, requiring more than 6,500 yards of fabric. The costumes were created in 17 shops across America, including Ballet Arizona’s, with final assembly by Ballet Arizona’s costume shop personnel. During the run of the show Ballet Arizona dancers will use up to 300 pairs of pointe shoes. Most pairs of shoes last one performance. The budget for pointe shoes for December alone is $45,000.

The set design and transformation as the Christmas tree grows gigantic and the furniture disappears, leaving a huge, empty room that will soon become a battleground for an army of toy soldiers is magical. More than 100,000 Austrian Swarovski crystals were used to create the Snow scene. The production uses 25 different backdrops.
My niece gasped and then giggled as all the mice in the house have grown to enormous size. Costume designer Toblini didn’t want the mice to be too cute, so he modeled them after New York City subway rats. The Mouse King is 9 feet tall without his crown.

When the Nutcracker is revealed to be a prince who gives Clara a crown, the fantasy of every young girl is born. The Snow Queen and King and a magical journey to the Land of the Sugar Plum Fairy plant the seed of beautiful dreams. The dancers among the falling snow and twinkling stars transport you to a place where you wonder am I dreaming or is this real?

As always the music of the Phoenix Symphony is perfect. I was shocked to learn my niece’s elementary school’s limited music program does not teach Tchaikovsky, but they do learn rap and hip hop. That’s all the more reason to expose the next generation to as much classical music as possible.

Ib Andersen’s The Nutcracker cost $1.8 million to create, involving more than 300
people. The production was made possible with a $1.3 million grant from the
Sybil B. Harrington Trust. Revenue from The Nutcracker accounts for 30 percent of Ballet Arizona’s annual income with ticket sales of more than 50,000 seats.

Once again Ballet Arizona has brought talent and inspiration to create a production of such beauty it will stay in your heart forever. To this day I can recall the Nutcrackers I saw as a child and this one seems to have grown to a much more sophisticated and beautiful place. You really must see this exquisite ballet. It will fill your soul with the magic and beauty that should be Christmas.

Sunday, October 29, 2006

Ballet Arizona brings romantic ‘Swan Lake’ to life

Ballet Arizona brings romantic ‘Swan Lake’ to life
The Phoenix Symphony accompanies with Tchaikovsky
by LeeAnn Sharpe

If you were to see only one ballet in your entire life, it would have to be Ballet Arizona’s lavish production of “Swan Lake,” regarded by many as the greatest of all classical ballets. With choreography by Olga Evreinoff and Ib Andersen following Marius Petipa and Lev Ivanov’s classic interpretation, “Swan Lake” will be performed Nov. 3‑5 at Symphony Hall with The Phoenix Symphony conducted by Timothy Russell.

“Swan Lake” is the ultimate fairy tale portraying the tragic romance between the Swan Queen and Prince Siegfried, complete with a moonlit lake, swan maidens, and mystifying wizardry. First performed at the Bolshoi Theater in Moscow in 1877 with a specially commissioned score by Tchaikovsky, “Swan Lake” did not open to critical acclaim. However, Marius Petipa and Lev Ivanov staged a tribute to Tchaikovsky in 1895, which became the definitive version. Since that time, countless choreographers have staged versions of this classic.

“‘Swan Lake’ immediately brings to mind beautiful choreography and the music of Tchaikovsky,” states Ballet Arizona Artistic Director Ib Andersen. “The combination of his score with the work of Marius Petipa and Lev Ivanov are the reasons why, season after season, ‘Swan Lake’ continues to be one of the most famous and crowd‑pleasing ballets.”



Choreographer Olga Evreinoff, of St. Petersburg’s famed Vaganova Ballet Academy, regularly coached for many of the world’s best companies, including The Royal Ballet, English National Ballet, the Royal Swedish, and Royal Danish Ballets. She practices traditional Russian ballet technique with grander, more dramatic moves appropriate to “Swan Lake.”

To grant further insight of the production, Ballet Arizona offers a pre‑performance chat 45 minutes before the show to provide background information and firsthand knowledge of the ballet. Artistic Director Ib Andersen will participate in this part of the ballet’s presentation, which is open to all interested ticket holders. A short question and answer session is included in the discussion.

Tchaikovsky’s “Swan Lake” is one of the most fulfilling and memorable experiences you can share with friends and family, offering riveting entertainment for young and old alike.

As part of Ballet Arizona’s ongoing commitment to education, over 2000 students from schools throughout the Valley are expected to attend the November 2 student matinee, which includes a post‑performance question‑and‑answer session between dancers and the students.

Phoenix is truly blessed with a symphony and conductor who can make the music come to life, with emotion so powerful it can take your breath away. Performing this powerful production of “Swan Lake,” Ballet Arizona, now in its 21st season, unites pure, romantic music with brilliant choreography. “Swan Lake” is about passion and the power of young love, of deceit and treachery.

And much more than the dancing and music put Ballet Arizona’s magnificent production on the stage. Lighting design by Michael Korsch adds immeasurably to the mood, while the scenery, as presented by David Walker, courtesy of the Texas Ballet Theater, assures audiences of the perfect setting. The lavish costumes which bring so much life to the ballet are designed by Peter Cazalet in Act I & II, Scene 1 and Acts I & II, and by Zack Brown in Scene 2, (courtesy of Atlanta Ballet).

Symphony Hall is located in downtown Phoenix at 75 North 2nd Street. Performances are November 3 at 8 p.m., Nov. 4, at 2 p.m. and 8 p.m., and Nov. 5, at 2 p.m. Tickets run from $10 to $104, with special reduced pricing for Saturday matinees. Children 12 and under are admitted for 50 percent off for all shows. Discounts are also available for seniors, students, K‑12 teachers, active duty military, and groups of 10 or more. For tickets, call Ballet Arizona at (602) 381‑1096, or Ticketmaster at (480) 784‑4444. The Ballet Arizona box office is located at 3645 East Indian School Road in Phoenix, and is open Mon.‑Fri. 9 a.m.‑4:30 p.m. Tickets are also available at any Ticketmaster Outlet located in Fry’s Marketplace, Wherehouse Music, Tower Records; and online at www.balletaz.org or www.ticketmaster.com.